Milan was the place to be over the weekend as Fall Fashion Week roared through the city. Clive Owen kicked things off solo on Friday at Emporio Armani before he joined up with Julianne Moore at the Bulgari Chandra party. Ashley Greene popped up in a variety of dresses, attending Giorgio Armani on Saturday with Clive and Gucci with Rachel Zoe. Lindsay Lohan, meanwhile, spent her evening celebrating the launch of Vogue Italia's new website with editor Franca Sozzani, Claire Danes, and more. Yesterday brought Ashley Greene out for Dolce & Gabbana, while Lindsay Lohan cozied up to Roberto Cavalli at his show and afterparty. Elisabetta Canalis, the face of Roberto's underwear line, left George Clooney's side long enough to meet with the designer, then went back to her man.
Lindsay, who was back in the USA just last week stalking Samantha Ronson and partying her brains out, didn't waste any time once in Milan. She gallivanted around the city, palling around with Courtney Love and swapping spit with Roberto Cavalli himself. The girl is a hot mess! Rumor has it that she actually cancelled a scheduled appearance at the Pure nightclub in Vegas once she heard she was invited to party in Milan with the fashion folk
Salvatore Ferragamo autumn/winter 2010/11
Milan Fashion Week
Their 50th Dolce & Gabbana collection was a romantic and poetic salute to their heritage of clothes for the sensual woman, both dressed and undressed.
The show was staged in the old Metropole Theatre, where Maria Callas once sang, which is now a Dolce & Gabbana headquarters.
ALBUM ://www.telegraph.co.uk/fashion/fashionpicturegalleries/7339281/Salvatore-Ferragamo-autumnwinter-201011-Milan-Fashion-Week.htmlShared via AddThis.com
Why Scarlett Johansson came over to the dark sideA total of 75 models, wearing variations on tailored black jackets over black satin and lace corsetry, formed a dramatic visual encapsulation of the brand’s tradition, walking against a backdrop of black-and-white footage of the work done in the studio to bring the collection to fruition.
The collection was as much a romantic homage to the duo’s strong feminine ideal, as it was about a shared, enduring passion for designing beautiful clothes.
Called ‘Sartorialita, Sicilianita, Sensualita’, the collection, for next autumn/winter, revisited the brand’s signatures of tailoring, corsetry, leopard and rose-print, and the age-old black garb of the Sicilian woman, updated in knits, lightweight silks and stretch fabrics.
The romantic nature of the production was emphasized by the soundtrack music - Ewan McGregor and Nicole Kidman singing "Come What May" from the film, Moulin Rouge!
Missoni, the Italian family knitwear brand, provided a colourful caravanserai of knits that raced around-the-world in 39 different looks.
Inspired by references as diverse as “Highlander’, Masai warriors, Indonesia, and the cowboy ethic as portrayed by Clint Eastwood, the collection included multi-coloured, plaid and patchwork ponchos and serapes; zig-zag knitted skirts and sarongs, fastened with oversized kilt-pins; silver “spurs” on high-heeled,knitted sock-boots; and “warrior” neck-pieces and cuffs in tinkling metal.
Earlier, the Florentine designer, Roberto Cavalli, marked his 40th anniversary in fashion, with a rich hippie parade of furs, animal-print and voluminous boho-dresses in sheer chiffon.
The singer Courtney Love, and the actress, Lindsay Lohan, were among the front row audience.
Their 50th Dolce & Gabbana collection was a romantic and poetic salute to their heritage of clothes for the sensual woman, both dressed and undressed.
The show was staged in the old Metropole Theatre, where Maria Callas once sang, which is now a Dolce & Gabbana headquarters.
ALBUM ://www.telegraph.co.uk/fashion/fashionpicturegalleries/7339281/Salvatore-Ferragamo-autumnwinter-201011-Milan-Fashion-Week.htmlShared via AddThis.com
Why Scarlett Johansson came over to the dark sideA total of 75 models, wearing variations on tailored black jackets over black satin and lace corsetry, formed a dramatic visual encapsulation of the brand’s tradition, walking against a backdrop of black-and-white footage of the work done in the studio to bring the collection to fruition.
The collection was as much a romantic homage to the duo’s strong feminine ideal, as it was about a shared, enduring passion for designing beautiful clothes.
Called ‘Sartorialita, Sicilianita, Sensualita’, the collection, for next autumn/winter, revisited the brand’s signatures of tailoring, corsetry, leopard and rose-print, and the age-old black garb of the Sicilian woman, updated in knits, lightweight silks and stretch fabrics.
The romantic nature of the production was emphasized by the soundtrack music - Ewan McGregor and Nicole Kidman singing "Come What May" from the film, Moulin Rouge!
Missoni, the Italian family knitwear brand, provided a colourful caravanserai of knits that raced around-the-world in 39 different looks.
Inspired by references as diverse as “Highlander’, Masai warriors, Indonesia, and the cowboy ethic as portrayed by Clint Eastwood, the collection included multi-coloured, plaid and patchwork ponchos and serapes; zig-zag knitted skirts and sarongs, fastened with oversized kilt-pins; silver “spurs” on high-heeled,knitted sock-boots; and “warrior” neck-pieces and cuffs in tinkling metal.
Earlier, the Florentine designer, Roberto Cavalli, marked his 40th anniversary in fashion, with a rich hippie parade of furs, animal-print and voluminous boho-dresses in sheer chiffon.
The singer Courtney Love, and the actress, Lindsay Lohan, were among the front row audience.
